About Terre Britton

Painter, writer, designer, illustrator.

Patrick Ross’ Creativity Tweets of the Week – 2/2/12

The Artist's Road

Patrick Ross

Patrick Ross

Your weekly treat has arrived early this week, as I’m reserving Friday for another post. Below find a highlight of links I tweeted on creativity and writing this week. Let me also invite any folks in the DC area who blog or are considering doing so to join me in a six-week workshop on blog writing I’ll be conducting at The Writer’s Center in Bethesda, Maryland. The course runs six weeks starting the evening of Tuesday, April 17th; more information to come!


Read more on “The Artist’s Road” . . .

Thanks, Patrick, for including Creative Flux in your Creativity Tweets!

Get Down with a Mashup

Mashups for Idea Generation

Gregg Fraley, author of Jack’s Notebook, gives a short interactive talk to the Institute of Cultural Research in London, July 2012.

He suggests in this video that conceptual mashups can be enhanced with multi-modal learning experiences to generate new ideas.

Yes, you can try this at home.



Gregg Fraley

Gregg Fraley

Gregg Fraley is an author, speaker, and Chief Solver of London based KILN. KILN offers innovation services, including IdeaKeg, a subscription service for innovation teams. Gregg is an experienced innovation process facilitator; his customers include prominent brands like American Crew, Budweiser, and Nestlé Purina. He’s the author of “Jack’s Notebook,” a well-reviewed business fable related to innovation and structured creative problem solving. Jack’s Notebook is used by business schools like U of C Berkeley and St. John’s University, but more importantly it’s been used by thousands of people form all walks of life to amplify their own creativity. Gregg had a 20 year career in the software industry. His earlier experiences included work in advertising, journalism, and interactive television. Avocations include stand-up comedy, cartooning, and improvisation.

Connect with Gregg
Blog | Twitter: @greggfraley

About Kiln Ideas, Ltd.
Kiln is an innovation products and services company that “fires up corporate innovation.” Kiln is part cultural scanning, part self-drive creative idea generation, complimented by hands-on facilitation and innovation training services. Kiln allows companies to stay tuned to trends, while speeding up the front end of innovation. IdeaKeg™ is their new subscription service than offers innovation teams a kinesthetic experience where objects related to current trends are mashed up with business objectives. This stimulates better questions and generates better, more breakthrough, ideas for new business concepts.

Connect with Gregg at Kiln Ideas, Ltd.
Web Site | Twitter: @kilnco | LinkdIn



Jack's Notebook

Jack's Notebook

If you want to start into more advanced creativity practice, you might consider my book – Jack’s Notebook, a business novel about creative problem solving. It’s done in story form, this is not your typical didactic business book!


Please join the discussion below.

PSI and Forced Association

Atomic Collision

Image by mynameishalo http://mynameishalo.deviantart.com/

PSI (Problem + Stimulus = Idea)

When to use it

PSI is a simple approach that can be used in several ways.

As a simple thinking tool, it can trigger an effective thinking process.

As a framework for a whole approach, it can accommodate a number of methods of stimulating ideas.

It is a good tool to use when you are stuck, as it gives a logical structure.

As a quick tool it sets a direction. More serious use requires effort to define the problem and experiment with stimuli.


X  Long



X  Psychological



X  Group


How to use it

Define the Problem

The P of PSI stands for Problem. The first step is thus to clarify the problem that you are seeking to solve. If you are not clear on the problem, you will have difficulty in finding a good solution! Some thoughts for this:

  • Try writing it down in several ways.
  • Say the same thing in different words.
  • Describe it from different viewpoints.
  • Think about what ‘success’ means.
  • Think backwards: what is ‘not success’.

For example, if you are seeking to stop a window leaking, you can define the problem as staying dry or keeping out water, it can be about sealant or surfaces, materials or coatings, corners or the entire frame. You can even look at it from the viewpoint of the rain or the window.

Find a Stimulus

The S of PSI stands for Stimulus. It is amazing the number of stimuli you can find around you. Almost anything will do, although something evocative is better, as it will trigger more ideas. The bottom line with stimuli is that if they work, then fine, but if they do not work or run out, then there are plenty more lying around.

For example, a stimulus for the leaky window could be found by looking through the window. Can you see a tree, a car, a running child?

Bang them together

The magic equation of PSI is:

P + S = I

or, more fully:

Problem + Stimulus + Idea

In other words, you bang the Problem and the Stimulus together and see what Ideas this creates. It sound simple, and is. But that does not mean it is not effective. As in much creativity, it’s the simple things that work best.

Thus, for example, when you look at the tree, you could wonder how the inside of the tree stays dry. Could you apply some bark? It has fibres in it. Could you pack the area with waterproof fibre? Or what about the car. That has windows – how does it keep out the water, especially at speed in the driving rain. It uses rubber seals that fit closely over the window and flex with any movement.


Problem: How to get plants to grow in contaminated soil.

Stimulus: Fire

Idea: Have a bonfire in a pit to burn away the contamination, then root the plant in the ashes.

How it works

PSI uses the principle of forced association, which gets your brain out a rut by bringing together things that have not previously been combined. In its flight from the discomfort of this, the subconscious brain will give you whatever you want, including useful ideas.

PSI takes this a step further by deliberately using the problem as one part of the combinatory equation.

A very simple principle that is at the heart of much creativity is Bisociation can be used both as an understanding and even as a stand-alone creativity tool.

Forced Association

Moon Collision Dust

Moon Collision Dust by Steve Spangler

The simple principle of forced association is of ‘banging things together’ that have not previously been brought together, or at least not recently.


Bisociation, a term coined by Arthur Koestler in his book, ‘The Act of Creation’, where he discusses the principle of forced association, amongst others. It is a quite a nice term, combining ‘bi’ for two ideas and ‘association’.

A + B = C

A simple ‘calculus’ of forced association is the equation A + B = C, where A and B are two things being brought together that result in the idea, C.

The lever of Cognitive Dissonance

Cognitive dissonance is the term used by social psychologist Leon Festinger to describe the state of discomfort created when we hold two opposing thoughts in the mind at the same time. In social psychology, this classically happens in such situations when a person who thinks of them as being kind and thoughtful does something like walk past a beggar on the street without giving them anything. They typically react by trying to get away from this discomfort, for example by walking faster or pretending the beggar is not there.

In creative forced association, the act of verbal vandalism in bringing together two words or thoughts that do not go together is enough to shock the subconscious brain into giving you whatever you want, including good ideas, just to get away from the discomfort of holding together words that it does not think should go together.



How To Invent Almost Anything

How To Invent Almost Anything

David Straker is a creative professional who has spent many years in R&D (hardware and software), won a few patents for his employers, and since the 90s, has been a business consultant—training people in blue-chip companies around the world. He has written a number of books, including two on problem-solving and one on inventing.


Please join the discussion below

Happy New Year and Thank You!

Happy New Year 2012

Gratitude bestows reverence, allowing us to encounter everyday epiphanies, those transcendent moments of awe that change forever how we experience life and the world.

Thank you

I would like to express my gratitude to all the Creative Flux contributors for their high caliber work and stimulating insights, with my greatest appreciation to Terri Long who launched the site with her brilliant piece, “How Gender Roles Crush Creativity.” These thanks are also extended to all of you avid readers and savvy commenters.

Special thanks to: Rich Weatherly, for the use of his beautiful quote; Q2 Music, for their outstanding repertoire and service, and for graciously sharing their audio clips; and to all the StoryWorld zealots, for calling out into the wilderness with such eye-opening and engaging information that Transmedia-disciples, like myself, might be led to the (real) Truth.

Thank you, all, for making 2011 a terrific success!

In the upcoming year, I look forward to discovering and discussing your innovations and inspirations, I invite you all into the conversation and to contact me if you have an idea you would like to share on Creative Flux, and I wish you all the courage to continue jumping into the void!

And if your vision ever gets clouded in 2012, let Wordsworth be your beacon . . .


I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed–and gazed–but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

William Wordsworth


Please join the discussion below.

A Sweet & Sour Christmas

The Christmas Story

I don’t know about you, but I’ve already placed my order for a custom-fit sheep costume.


And now, my personal favorite…

Christ Came Down

CHRIST climbed down
from His bare Tree this year
and ran away to where
there were no rootless Christmas trees
hung with candycanes and breakable stars

Christ climbed down
from His bare Tree this year
and ran away to where
there were no gilded Christmas trees
and no tinsel Christmas trees
and no tinfoil Christmas trees
and no pink plastic Christmas trees
and no gold Christmas trees
and no black Christmas trees
and no powderblue Christmas trees
hung with electric candles
and encircled by tin electric trains
and clever cornball relatives

Christ climbed down
from His bare Tree this year
and ran away to where
no intrepid Bible salesmen
covered the territory
in two-tone cadillacs
and where no Sears Roebuck creches
complete with plastic babe in manger
arrived by parcel post
the babe by special delivery
and where no televised Wise Men
praised the Lord Calvert Whiskey

Christ climbed down
from His bare Tree this year
and ran away to where
no fat handshaking stranger
in a red flannel suit
and a fake white beard
went around passing himself off
as some sort of North Pole saint
crossing the desert to Bethlehem
in a Volkswagen sled
drawn by rollicking Adirondack reindeer
with German names
and bearing sacks of Humble Gifts
from Saks Fifth Avenue
for everybody’s imagined Christ child

Christ climbed down
from His bare Tree this year
and ran away to where
no Bing Crosby carollers
groaned of a tight Christmas
and where no Radio City angels
iceskated wingless
thru a winter wonderland
into a jinglebell heaven
daily at 8:30
with Midnight Mass matinees

Christ climbed down
from His bare Tree this year
and softly stole away into
some anonymous Mary’s womb again
where in the darkest night
of everybody’s anonymous soul
He awaits again
an unimaginable and impossibly
Immaculate Reconception
the very craziest
of Second Comings



Please join the discussion below.

Music Appreciation: TEDxAmsterdam 2011 – Henkjan Honing

Henkjan Honing cites studies and engages his audience in auditory participation to shed light on how absolute pitch is very common and relative pitch is very special and fundamental in music appreciation.

  • Common mechanisms we use to appreciate music: 1) Absolute pitch 2) Sense of Rhythm
  • Special mechanisms we use to appreciate music: 1) Relative pitch 2) Beat induction (innate, not learned)



Henkjan Honing

Henkjan Honing

Henkjan Honing (1959) holds a KNAW-Hendrik Muller chair in Music Cognition at the University of Amsterdam and conducts his research under the auspices of the Institute for Logic, Language and Computation (ILLC), and the University of Amsterdam’s Cognitive Science Center Amsterdam (CSCA).

Read more . . .


Please join the discussion below



He scatters seed, the bringer of bold ideas;
Beauty stirs the soul.

By Rich Weatherly
Inspiration from a Scottish Fantasy by Anton Bruch


Welcome to Creative Flux, where artists and free-thinkers share their thoughts on the arts, the process of creation, and storytelling: be it the moment of inspiration or the follow-through to something concrete.

We would love you to join the conversation with your comments.

If you would like to contribute a post, click here to contact me.

Terre Britton